Fatal, But Not Serious A novel by my friend, Frederick Lewis! I think the closest comparable for this book is A Confederacy of Dunces. Both drop a lot of ridiculous characters against a Southern backdrop with hilarious results. Fatal, But Not Serious pits the salt-of-the-earth residents of Williams Island, a fictitious barrier island off the coast of Georgia, against a sham environmental organization that wants the government to remove the island's residents so it can build a sustainable eco-lodge for tourists.
The novel has a deft sense of comic timing and effectively builds the conflict between the island's residents and the environmentalists, who resort to increasingly underhanded means to get the residents to leave. I think my favorite part was when a Brazilian woodpecker, painted to look like the nearly-extinct ivory-billed woodpecker that hasn't been seen on Williams Island in decades, becomes a media sensation and is chopped up in the rotor blade of a cable television camera drone that's tracking its every movement.
What I would like to see in Mr. Lewis's next book is more emphasis on developing characters. Going back to A Confederacy of Dunces, yes the characters were ridiculous, but Ignatius J. Reilly and the others were also believable (to an extent) and sympathetic, with their own foibles and complexities. The characters in Fatal, But Not Serious are more two-dimensional. Nor need it come at the cost of the sharp political satire--Primary Colors comes to mind as a political satire that managed quite a bit of subtlety in its characterization. Mr. Lewis shows a lot of promise and I'd like to see what he manages next.
Complete Peanuts Volume 26 Okay, I've skipped ahead to the final book in this series, because I'm afraid this one will not be in print long. The Complete Peanuts is a noble project to publish every strip of Charles Schulz's Peanuts, from its inception in 1951 to its final panel in 2000. It's a gargantuan undertaking, and a new volume covering two years is issued every six months. (I have previously reviewed the 1977-78 volume here, the 1979-80 volume here, the 1981-82 volume here, 1983-84 volume here, the 1985-86 volume here, and the 1987-88 volume here.)
The series finished the regular run of strips with Volume 25, with Volume 26 containing ephemera--ads, short books, and related artwork that appeared in various media. The highlight to my mind is the comics that appeared in a late 1950s comic book series by Dell. While most of the strips were done by other artists, Schulz did a few himself, and these definitely have the flavor of late 1950s Peanuts. In fact, they read rather like lost Sunday strips. Apparently they have never been reprinted before now.
Some fun things in this book, but this volume is definitely for the completists rather than the general reader.