Ranking: Captain Marvel

A few weeks ago while visiting Nashville, my family went to see Captain Marvel. In the comics Captain Marvel, alter ego Carol Danvers, is a character I don't follow too much, but I think the movie kept pretty close to her character. She starts the movie off as a warrior of the Kree, a fierce warrior alien race that are humanoid but with blue skin (although Captain Marvel looks perfectly human). Captain Marvel herself, known as Vers to her Kree companions, is superstrong and can direct energy blasts. On a mission to Earth to track an escaped Skrull, an alien race who are the enemies of the Kree, she starts to have human memories. During her time on Earth, more and more memories return to her, and she gradually realizes she actually is human, and that the incident that took her memory gave her her superhuman powers.

One big difference between the comics and the movie I did notice was (spoiler alert!) in the comics, the Kree and the Skrulls have been at war with each other for centuries. Both sides I think are seen as the bad guys, but the Kree are maybe seen as more a civilization whose morals have decayed from fighting for so long, while the shape-shifting, but in their natural form, green-skinned, Skrulls are considered definitely and inherently evil. In the movie, however, it is the Kree who turn out to be truly evil, with the Skrulls, at least the group we meet, being misunderstood victims.

This was a fun and highly watchable movie but not earth-shattering, so I'm putting it near the top of the Okay category.

I have previously ranked Ant-Man and the Wasp, Aquaman, Avengers: Infinity War, the Avengers movies, the Batman movies, Black Panther, Captain America: Civil War, Dr. Strange, Guardians of the Galaxy 2, Logan, Man of Steel, the Man-Thing, the non-Marvel and non-DC comic movies, the other DC movies, the Spider-Man movies, Spider-Man: Into the Spider-Verse, the summer 2015 comic movies, the Superman movies, Thor: Ragnarok, Wonder Woman, and the X-Men movies.


As ever, my ranking system is
Green=excellent  Blue=pretty good  Black=Okay  Red=avoid
_______________________________________________________________________________

Here's the master list of all comics movies I've rated so far, in order from best to worst:

Crumb
American Splendor
Spider-Man: Into the Spider-Verse
Iron Man
Heavy Metal (1981)
Spider-Man 2 (2004)
Avengers
Superman (1978)
Captain America
Wonder Woman (2017)
Batman Begins (2005)
Captain America: Civil War
Captain America 2: The Winter Soldier
Spider-Man (2002)
Aquaman
X-Men 2: X-Men United
X-Men: Days of Future Past
Superman II
Batman (1989)
Ant-Man
Ant-Man and the Wasp
Guardians of the Galaxy (2014)
Thor: Ragnarok (2017)
Dr. Strange
The Dark Knight (2008)
Logan (2017)
Iron Man 3
The Wolverine (2013)
Guardians of the Galaxy 2
Sin City (2005)
X-Men: First Class
X-Men (2000)
Captain Marvel
Black Panther
Man of Steel (2013)
Avengers: Infinity War
Avengers 2: Age of Ultron
Swamp Thing (1982)
Spider-Man 3 (2007)
Iron Man 2
Watchmen (2009)
Batman Forever (1995)
Superman Returns (2006)
Thor 2: The Dark World
Incredible Hulk (2008)
Mystery Men (1999)
Dark Knight Rises (2012)
Man-Thing (2005)
Superman III
Supergirl (1984)
Thor
X-Men 3: Last Stand
Hulk (2003)
Fritz the Cat (1972)
Batman and Robin (1997)
Batman Returns (1992)
Superman IV

Amazing Spider-Man (2012) (Haven't seen)
Amazing Spider-Man 2 (2014) (Haven't seen)
Spider-Man: Homecoming (2017) (Haven't seen)
Batman (1966) (Haven't seen)
Batman v. Superman: Dawn of Justice (Haven't seen)
Catwoman (Haven't seen)
Constantine (Haven't seen)
Deadpool (Haven't seen)
Green Lantern (Haven't seen)
Hellboy (Haven't seen)
Judge Dredd (Haven't seen)
Sin City: A Dame to Kill For (2014) (Haven't seen)
V for Vendetta (Haven't seen)

X-Men Origins: Wolverine (Haven't seen)

Ranking: Ant-Man and the Wasp

Missed Ant-Man and the Wasp in the theaters, so I watched it with my family at home a few weeks ago. (I reviewed the original Ant-Man back in 2015 here.) In it, we revisit Scott Lang, who is now under year-long house arrest following the events in the first movie, with his parole officer Randall Park eager to catch him breaking the rules so he can send him to prison for a long time. Throughout the movie, various complications come up with inventor Hank Pym and his daughter Hope van Dyne, who Scott is kind of in love with, that require Scott to leave the house in the Ant-Man costume, only to try to rush back to the house before Randall can notice his absence.

Of course, Ant-Man can get small and talk to ants (and so can Hope Van Dyne, in her own costume as the Wasp), and back in Captain America: Civil War, we also learned he can reverse the sizing process to get really big. The movie also introduces Bill Foster, an African-American inventor who was once partners with Hank Pym before they had a falling out. (Comics fans know that Bill Foster is the alter-ego of hero Goliath.) Though he's not himself evil, Bill Foster has allied himself with the movie's main villain, Ghost, who can alter her body's molecular structure and walk through walls or any other object, solidifying parts of her body--say, her fist--to pummel an enemy. But she doesn't have total control of her abilities and is slowly disintegrating, something Bill Foster is trying to help her avoid.

So I'm not sure I have a lot to say about it, except it was a fun movie! Fast-paced, funny, kids enjoyed it. I put it in the Pretty Good category, ranked right about where the original was.

I have previously ranked Aquaman, Avengers: Infinity War, the Avengers movies, the Batman movies, Black Panther, Captain America: Civil War, Dr. Strange, Guardians of the Galaxy 2, Logan, Man of Steel, the Man-Thing, the non-Marvel and non-DC comic movies, the other DC movies, the Spider-Man movies, Spider-Man: Into the Spider-Verse, the summer 2015 comic movies, the Superman movies, Thor: Ragnarok, Wonder Woman, and the X-Men movies.


As ever, my ranking system is
Green=excellent  Blue=pretty good  Black=Okay  Red=avoid

_______________________________________________________________________________

Here's the master list of all comics movies I've rated so far, in order from best to worst:

Crumb
American Splendor
Spider-Man: Into the Spider-Verse
Iron Man
Heavy Metal (1981)
Spider-Man 2 (2004)
Avengers
Superman (1978)
Captain America
Wonder Woman (2017)
Batman Begins (2005)
Captain America: Civil War
Captain America 2: The Winter Soldier
Spider-Man (2002)
Aquaman
X-Men 2: X-Men United
X-Men: Days of Future Past
Superman II
Batman (1989)
Ant-Man
Ant-Man and the Wasp
Guardians of the Galaxy (2014)
Thor: Ragnarok (2017)
Dr. Strange
The Dark Knight (2008)
Logan (2017)
Iron Man 3
The Wolverine (2013)
Guardians of the Galaxy 2
Sin City (2005)
X-Men: First Class
X-Men (2000)
Black Panther
Man of Steel (2013)
Avengers: Infinity War
Avengers 2: Age of Ultron
Swamp Thing (1982)
Spider-Man 3 (2007)
Iron Man 2
Watchmen (2009)
Batman Forever (1995)
Superman Returns (2006)
Thor 2: The Dark World
Incredible Hulk (2008)
Mystery Men (1999)
Dark Knight Rises (2012)
Man-Thing (2005)
Superman III
Supergirl (1984)
Thor
X-Men 3: Last Stand
Hulk (2003)
Fritz the Cat (1972)
Batman and Robin (1997)
Batman Returns (1992)
Superman IV

Amazing Spider-Man (2012) (Haven't seen)
Amazing Spider-Man 2 (2014) (Haven't seen)
Spider-Man: Homecoming (2017) (Haven't seen)
Batman (1966) (Haven't seen)
Batman v. Superman: Dawn of Justice (Haven't seen)
Catwoman (Haven't seen)
Constantine (Haven't seen)
Deadpool (Haven't seen)
Green Lantern (Haven't seen)
Hellboy (Haven't seen)
Judge Dredd (Haven't seen)
Sin City: A Dame to Kill For (2014) (Haven't seen)
V for Vendetta (Haven't seen)
X-Men Origins: Wolverine (Haven't seen)

What I'm Reading: Roundup

I've fallen behind on updating the blog. I have a couple superhero movies to add, but let's start with the reading I've been doing lately--a pair of middle grade novels.

The Unwanteds This is the first in a series of seven by Lisa McMann. It's a favorite book of my kids' and we listened to the book on tape during a recent car trip. In this book, the highly-militarized kingdom of Quill every year sorts its thirteen-year-olds into three groups: the Wanteds, the Necessaries, and the Unwanteds. The Wanteds move to various desirable positions in the Quillitary or the government administration, the Necessaries take on menial labor jobs, and the Unwanteds are driven to a spot just outside the barbed wire-surrounded Quill territory where they are supposedly to be executed.

The main thing that makes someone Unwanted is to have shown creativity. In the hierarchical and rigid society of Quill, creativity is considered a threat, while a sort of Spartan disregard for one's own feelings and others' is admired. When Alex Stowe and this year's batch of thirty or so Unwanteds (the biggest group ever!) arrive at the place of execution, the executioner, Mr. Today, leads them off...and into a hidden magic kingdom named Artime, existing side-by-side (but invisibly) with Quill. Artime is  a place where creativity and imagination are valued. All the kids are assigned artistic specialties to study, such as painting, drama, or singing. What's more, in Artime, they learn to use their artistic skills to perform magic--perhaps singing a spell to put someone to sleep, or painting a door to escape through. This will prove very useful, for if Quill ever discovers that Artime exists, it is sure to declare war on the nearby threat.

I got a strong Harry Potter-vibe from the Unwanteds. Kids at the beginning of their teenage years whisked off from their mundane existences to a fantastic land where they study the magic arts? Yeah, sounds familiar.  However, where I had mixed feelings about Harry Potter--finding it to have a subtle humor and charm in its writing style and a fun first half, but a by-the-number fantasy plot in its second half (I reviewed the first Harry Potter book here)--the Unwanteds struck me as fresh throughout. Harry Potter relied on well-worn fantasy tropes like trolls, dragons, and magic mirrors, while the Unwanteds consistently came up with original and interesting magic creatures, spells, and so forth. I liked its use of art as a basis for magic, and its healthy encouragement of creativity.

So, if your kids (or you) like Harry Potter, here's a book that's similar in a lot of ways, but that I found to have fresher ideas and a nice over-arching message. Having said that, I didn't like it so much that I feel the need to read the whole series.

Elephant Secret This book, by Eric Walters, is just fantastic. It's truly when of the best books I've read in the past year for any age group. It's aimed at middle schoolers but I think anybody who likes animals would enjoy reading it.

Sam Gray is thirteen years old and lives with her dad at a 200-acre elephant sanctuary with a herd of a dozen elephants. There's tons of work and not much money involved, but that's okay, because Sam has grown up with the elephants and relates better to them than to other humans. Still, it would be nice if the sanctuary had the funds to buy a new tractor, because the old one keeps breaking down and when it's on the fritz, that means Sam and her dad have to exhaust themselves pitching the hay out of the barn by hand. Maybe the sanctuary's mysterious new backer, who provides a much-needed infusion of funds every few months in exchange for being allowed to have the sanctuary's female elephants artificially inseminated, will be willing to spring for a new one.

Sam has some other problems too--like her father's girlfriend, a lawyer who he's getting serious about, much to Sam's dismay. Or the sanctuary's newest arrival--an abused elephant who is currently in the isolation pen because he killed man at the private zoo where he previously lived. And after the elephant Daisy Mae dies giving birth (in the saddest scene I've read in a long time), Sam and her dad are so busy bottle-feeding baby elephant Woolly every couple hours there's hardly even time to move Daisy Mae's carcass.

Still, it's pretty special having a baby elephant. And when the mysterious back finally shows himself one day, he reveals that Woolly is even more special than they thought.... Okay, I'll stop here. This is a book that's tough to discuss too much because giving away the main twist would really spoil it. Suffice it to say, if what I've written so far sounds at all intriguing, you are likely to love this emotionally powerful book.

What I'm Reading: Ten-Seven

Ten-Seven is the second Penns River Crime Novel I've read by Dana King (I reviewed the first one, Grind Joint, here) and it's a special pleasure for me to read it not only because Dana is a fellow member of my writer's group, but because he has one of the sharpest eyes and ears of any author I've ever read.

Penns River is a decaying old industrial town north of Pittsburgh, short of jobs and money, but not, unfortunately crime. "Doc" Dougherty is a skilled homicide detective who could easily have moved to a bigger city but has too much pride in his hometown to leave. He takes it as a personal affront when a murder is committed in his town, and lately, he's been affronted a lot. At the beginning of Ten-Seven, an apparently random shooting has just taken place in the parking lot of the casino, and Doc is determined to chase every wispy lead until he catches the perpetrator. This time he has help: Teresa Shimp, a young officer trying to prove she really deserves to be on the force, and is more than simply a hire to keep the department from being sued for discriminating against female police candidates.

Through the course of the novel, we also check in with the crime-associated friends we've met in previous novels: Mike Mannarino, the head of the small-time local mafiosi; and Wilver Faison, a black teen-ager on the rise in the local drug-dealing business. They have less to do directly with the plot this time around than they did in Grind Joint, but I like how Penns River is such a small town that the criminal element almost can't help rubbing against each other. The interdependence of drugs, muscle, and weapons means that one can't act without it affecting everybody else in the web.

As usual, Dana's eye for detail is what really makes the novel for me. In my review for Grind Joint I wrote that that book was as much a sociological study of a dying mill town as it was a crime novel, and that continues to be true. However, I do think the focus has shifted a bit--we get a better look this time around at the police force: new hires like Teresa Shimp and how they're fitting into the culture; the machinations of deputy Jack Harriger, who's gunning for Chief Stan Napierkowski's job when he retires; the daily work life of patrol cop Sean Sisler, who also has a secret which could endanger him but actually ends up leading to an important break in the case.

I'm not much of a mystery or crime fiction reader myself, but it's hard for me to believe this wouldn't be one of the best such novels even a hard core fan would come across this year. But this would be equally as good for anyone interested in reading a closely-observed portrait of a town that's hurting, and the crime and law enforcement institutions that play such an important part in corroding and sustaining that town.

What I'm Reading: Change-Up: Mystery at the World Series

Change-Up: Mystery at the World Series is one of the books my son is reading for his Battle of the Books team at school. (I recently read Re-Start, another of the books he's reading for BoB.) I can see why Virginia picked this one for the Battle of the Books tournament--it's about the Washington Nationals, and specifically it's something of an alternate history where the Washington Nationals made it to the World Series in 2009.

The book is about Stevie Thomas and Susan Carol Anderson, two 14-year-olds who work as sports reporters for Washington newspapers. They seem to have made a reputation for themselves as able to ferret out big stories in unexpected places, as they previously uncovered mysteries at the Final Four, the U.S. Open, and the Superbowl. (Apparently Change-Up is the fourth in a series.) In this book, they land an interview with Norbert Doyle, a 30-something journeyman pitcher who learns during the interview that, due to a series of injuries to other pitchers, he'll be pitching the opening game of the World Series for the Washington Nationals that night. Of course, Stevie and Susan Carol were lucky enough to be present so they're able to break this news in the national media.

Doyle lost his wife years before to a drunk driver and has raised his two kids by himself while bouncing around from city to city in the minor leagues. For him, his chance to pitch the big game is a dream come true--and after he wins the game that night, publishers and movie studios want the rights to his inspiring story. The problem is, when Stevie starts digging into Doyle's background, his version of the drunk driving incident doesn't seem to hold up. Meanwhile, Susan Carol meets with Doyle's son, an athletic 14-year old boy who appears to have a romantic interest in her--or is he trying to get between her and her co-reporter/boyfriend, Stevie, so they don't dig up any more on his dad?

This book was a lot fun, moved fast, and kept up a steady beat of snappy dialogue. It was also fun to read about all the players and coaches from a decade ago whose names I remember from attending games, reading newspaper articles, and listening to games on the radio. Only one player from that era remains--Ryan Zimmerman, then-third baseman, now first baseman, but still a pretty good player. (While there are many real people who pop up as characters in this book, all the main characters are fictional.)

Still, there were two things I found hard to accept. One, this maybe more of a quibble, but it's the idea of the 2009 Nationals making it to the World Series. Fun to think about--but it was never going to happen! The team that year simply wasn't good enough. They had Zimmerman and slugger Adam Dunn and... well, that was pretty much it. As much as I enjoyed reading about shortstop Christian Guzman or center fielder Austin Kearns or catcher Wil Nieves, those guys were decent but not great players and that's being generous. In fact, the Nationals won only 59 games that season--this is not a team that was only a hot streak away from the postseason. I believe that was the year I attended seven or eight games at Nationals Park and the team won none of them. (Maybe I was the problem?)

The other thing is that Stevie and Susan Carol do not act like fourteen-year-olds. My son is thirteen, and from observing him and his friends, as well as my own memories, Stevie and Susan Carol are not believable for that age. They are simply too mature in their romantic relationship with each other, their ability to write copy to deadline, their ability to keep their cool in stressful situations. I might have accepted them as sixteen-year-olds. But fourteen just doesn't work, and having them referred to as that age repeatedly broke my suspension of disbelief.

More because of the latter flaw than the former, I find I can't wholeheartedly recommend this book. Nevertheless, Change-Up would likely really appeal to a middle schooler interested in sports, and it has enough of an eye for detail and ear for dialogue that it would be a fun and quick read for a baseball-loving adult as well.

Ranking: Aquaman

My son and I saw Aquaman in the movie theater this past weekend. It was his second time seeing it, and it was entertaining enough for a 13-year old that he eagerly went back with me. The nice thing about going to a movie that's been out for a while--both our tickets together came to $13.00. Pretty cheap for a movie nowadays!

I'm not sure I liked it as much as my son, but I found it plenty entertaining. Unlike most DC films lately, it didn't have an especially dark tone. It was fun and fast-paced. Best of all, it didn't take itself too seriously, just like it's lead character, Arthur Curry, who was born to an Atlantean mother but raised by his human father in a small town in Maine. Arthur's main hobbies are drinking and hell-raising, though he sometimes likes to go for long swims to commune with the fish and, um, fight off pirates. When other characters start coming around asking him to come to the ocean to take up the crown of an undersea kingdom called Atlantis, all he knows is how inadequate he would be to the task of kingship.

When a war between Atlantis and other underwater kingdoms comes to the surface, though, he knows he finally has to visit Atlantis and overthrow his half-brother, Orm, a war-mongerer who sits on the throne in his stead. Not surprisingly, Orm doesn't want to go, and he tosses Arthur and their beautiful and headstrong cousin Mera, who has befriended Arthur, into a deep ocean trench filled with demonic deep-sea creatures. It is there that Arthur and Mera make an important discovery....

Like I said, the film is fast-paced and humorous, and it has plenty of great special effects without overly relying on them. It also has some surprisingly A-list actors: Nicole Kidman, Willem Dafoe. I don't know that muscle-bound and heavily-tattooed Jason Momoa is one of history's great actors, but as Aquaman, he has definitely found a role that suits him. All in all, I rank this movie as Pretty Good, the second-highest rating in my system, putting it just below the first Spider-Man movie from 2002 (yes, I know there was a 1970s made-for-TV Spider-Man movie, but I'm not counting it) and above X-Men 2.

I have previously ranked Avengers: Infinity War, the Avengers movies, the Batman movies, Black Panther, Captain America: Civil War, Dr. Strange, Guardians of the Galaxy 2, Logan, Man of Steel, the Man-Thing, the non-Marvel and non-DC comic movies, the other DC movies, the Spider-Man movies, Spider-Man: Into the Spider-Verse, the summer 2015 comic movies, the Superman movies, Thor: Ragnarok, Wonder Woman, and the X-Men movies.


As ever, my ranking system is
Green=excellent  Blue=pretty good  Black=Okay  Red=avoid


_______________________________________________________________________________

Here's the master list of all comics movies I've rated so far, in order from best to worst:

Crumb
American Splendor
Spider-Man: Into the Spider-Verse
Iron Man
Heavy Metal (1981)
Spider-Man 2 (2004)
Avengers
Superman (1978)
Captain America
Wonder Woman (2017)
Batman Begins (2005)
Captain America: Civil War
Captain America 2: The Winter Soldier
Spider-Man (2002)
Aquaman
X-Men 2: X-Men United
X-Men: Days of Future Past
Superman II
Batman (1989)
Ant-Man
Guardians of the Galaxy (2014)
Thor: Ragnarok (2017)
Dr. Strange
The Dark Knight (2008)
Logan (2017)
Iron Man 3
The Wolverine (2013)
Guardians of the Galaxy 2
Sin City (2005)
X-Men: First Class
X-Men (2000)
Black Panther
Man of Steel (2013)
Avengers: Infinity War
Avengers 2: Age of Ultron
Swamp Thing (1982)
Spider-Man 3 (2007)
Iron Man 2
Watchmen (2009)
Batman Forever (1995)
Superman Returns (2006)
Thor 2: The Dark World
Incredible Hulk (2008)
Mystery Men (1999)
Dark Knight Rises (2012)
Man-Thing (2005)
Superman III
Supergirl (1984)
Thor
X-Men 3: Last Stand
Hulk (2003)
Fritz the Cat (1972)
Batman and Robin (1997)
Batman Returns (1992)
Superman IV

Amazing Spider-Man (2012) (Haven't seen)
Amazing Spider-Man 2 (2014) (Haven't seen)
Spider-Man: Homecoming (2017) (Haven't seen)
Batman (1966) (Haven't seen)
Batman v. Superman: Dawn of Justice (Haven't seen)
Catwoman (Haven't seen)
Constantine (Haven't seen)
Deadpool (Haven't seen)
Green Lantern (Haven't seen)
Hellboy (Haven't seen)
Judge Dredd (Haven't seen)
Sin City: A Dame to Kill For (2014) (Haven't seen)
V for Vendetta (Haven't seen)
X-Men Origins: Wolverine (Haven't seen)

Ranking Diamonds Are Forever

I previously ranked some of the James Bond movies here, here, here, here, and here. Last night my son and I watched Diamonds Are Forever, the final of the six Bond movies Sean Connery appeared in. It's acquired a reputation as one of the more ridiculous Bond movies--for instance, much of the first Austin Powers movie mocks/homages this installment in the Bond series. Sean Connery was really phoning his performance in--he had not intended to return as Bond and only came back because of the large paycheck the producers offered--and this is also the first of three or four Bond movies to use a lot of US locations to save money. It's in no way one of the better Bond movies.

That having been said, I think my little rubric for rating the Bond movies is going to do Diamonds Are Forever a disservice. It's a thoroughly mediocre Bond film, and yet there's little really bad about it. It's entertaining all the way through. It's certainly better than, say, The Man With the Golden Gun, but because that movie did a couple things pretty well despite its overall terribleness, I think it will end up ranking higher than Diamonds Are Forever, which does no single thing especially well. Let's see how it works out.

Since the Bond movies are formulaic and their quality is based on how well they fulfill the formula, I created a little rubric to rank the Bond movies, with several categories a movie can get points in. A Bond film gets 2 points if the movie is one of the top 4 Bond movies for a category, and 1 point if it's in the top 8, plus a couple special categories. Here are the criteria, with a maximum of 14 points available:

Story/Plot--2 points--Is the plot coherent and logical? Are the stakes high?  (2 points, top 4; 1 point, top 8)

Action--2 points--Are the stunts exciting? The car chases thrilling?  (2 points, top 4; 1 point, top 8)

Villain--2 points--What's a Bond movie without dastardly villains and their henchmen? (2 points, top 4; 1 point, top 8)

Setting--2 points--The Bond movies are all about exotic locations. (2 points, top 4; 1 point, top 8)

Gadgets, Vehicles, Lairs--2 points--What's the cool stuff?  (2 points, top 4; 1 point, top 8)

Bond girls--2 points--The ladies, oh yes, the ladies. (2 points, top 4; 1 point, top 8)

Sean Connery or Daniel Craig?--1 point--These are the best Bonds (no need to debate) and get an automatic extra point if appearing in the film.

Musical theme--1 point if in the top 5

Diamonds Are Forever
Story/Plot--The story involves Bond trying to stop some smuggled South African diamonds from reaching their mysterious buyer in Las Vegas. Not real high-stakes, the ultimate use of the diamonds is a rather perfunctory surprise, and there's at least one Wha? moment in the plot, when James Bond just shows up at a house where he needs to be in Las Vegas with no indication of how he knew where to go. (0 points)
Action--Hmm. An early fight in a slowly-rising open elevator in an Amsterdam apartment building is expertly staged, but not all that interesting. A car chase in a casino parking lot has some impressive driving by Bond, but not actually that great to watch--I mean, they're just driving around a parking lot! I can do that myself! Another chase with a moon buggy in the Nevada desert is fun, but not quite Top 8. A scene with Bond scaling the outside of a casino in Las Vegas is nice but also not quite Top 8. (0 points)
Villain--Blofeld is the villain, played here by Charles Gray, who's no Telly Savalas. The henchmen, Mr. Wint and Mr. Kidd, are an unfortunately-stereotyped gay couple with a shared penchant for elegant, sadistic, but only mildly creative assassinations. (0 points)
Setting--Amsterdam is a bit exotic from the American point of view, I suppose, but Las Vegas certainly is not. (0 points)
Gadgets, Vehicles, Lairs--There are some cool vehicles and gadgets in this one. Blofeld's cover for his nefarious doings is an aerospace firm outside Las Vegas, where they are apparently practicing driving around in a moon buggy in the stark Nevadan landscape (and possibly filming fake moon landings?). Q wins multiple jackpots on Las Vegas slot machines with a magnetic something-or-other he's testing out. Bond must evade a deadly pipe-cleaning robot when he's buried alive in some sort of pipeline that's under construction. Bond scales a casino with a grappling hook that can embed itself in concrete. This ranks #6 on my list for this category, pushing Live and Let Die out of the Top 8. (1 point)
Bond Girls--Lana Wood is extremely hot as Plenty O'Toole, but dumb as a rock and only in the movie briefly. However, she, together with Jill St. John as diamond smuggler Tiffany Case, manage to edge out Fiona Volpe from Thunderball. (1 point)
SC or DC? Sean Connery (1 (point)
Music--Theme song is sung by Shirley Bassey, who also sang the great Goldfinger theme. Unfortunately, this one is a pale imitation. (0 points)
Total: 3 points

Rejiggered points for other movies:
Live and Let Die moves out of Top 8 for Gadgets, Vehicles, Lairs (-1)
Thunderball moves out of Top 8 for Bond Girls (-1)

And, here are the updated results:
1) The Spy Who Loved Me (12 points)
2) Casino Royale (10 points)
3, 4) Goldfinger, On Her Majesty's Secret Service (tied with 9 points)
5) Skyfall (8 points)
6, 7, 8) Thunderball, Spectre, The Man With the Golden Gun (5 points)
9, 10, 11) Die Another Day, A View to a Kill, Live and Let Die (4 points)
12) Diamonds Are Forever (3 points)